NEWS
Color Coded
Juried Group Show
At Gallery 114
January 2nd – 31st, 2026
Opening Reception
January 8th, 5pm – 8pm
About the Exhibition:
Color is central to artistic expression, yet its possibilities are endless. In Color Coded, we asked artists to consider how color operates as a code – one that viewers can unlock and respond to in their own way. Whether symbolic, emotional, structural, or conceptual, color can transform perception and meaning. This juried exhibition showcases works that thoughtfully engage with color as a primary element.
Gallery114 welcomes these artists: Carson Abbert, Eliot Allen, Tamara English, Karen Christie Fisher, Mary Beth Giraci, Jeffrey Gould, Pilar Hanson, Ochen Kaylan, Heidi Keith, Andrea Kelsey, Junkyu Lee, Steven Miller, Kim Nickens, Ian Nickols, Aimee O’Will, Natalie Obermaier, Chris Polich, James Robertson, Robert Shepard, Ellen Stern, Philip Stork, Jack Straton, Carolyn Sweeney, Amy Turnbull, Nancy Watterson Scharf.
Location:
Gallery 114
1100 NW Glisan Street, Portland, OR. 97209
gallery114.com – 503-243-3356
Gallery Hours:
12-5 Thursday – Sunday
click here for more info -link: https://www.gallery114.com/color-coded
The Inward Music
At Caplan Art Designs
March 5 – 28, 2026
Opening reception March 5, 6 – 8 pm
About the work:
“The paintings invite us to fully experience the day-to-day, minute-to-minute joys and challenges of our strengths and limitations, our capacity to love even in the face of adversity, our life’s mission and deepest karma, with an awareness so intense, we come to literally embody our dearest-held aspirations and values.To concentrate such a caliber of profundity within the construct of an oil painting, even a highly symbolic one, is a remarkable feat. Certainly, a casual viewer would not have to grasp these works’ conceptual frameworks in their entirety to appreciate their complex compositions, vivid color, and luscious surfaces as pure objets d’art. But closer consideration yields exponential rewards when the paintings in question are teaching tools for accessing the bounties we dually contain and manifest.”
– Richard Speer
Location:
Caplan Art Designs
1323 NW 16th Avenue #1001
NOTE: ENTRANCE to the gallery is on NW Pettygrove between 16th & 17th Avenues
Click here for more info – here is the link to use: https://caplanartdesigns.com/artists/english/
Third Coast Biennial
At K Space Contemporary
Corpus Christi, Texas
August 1st – September 25th, 2025
About the exhibition:
The Third Coast Biennial is a national juried exhibition of innovative contemporary art, which began in 2007.
The 2025 Juror is Leandra Urrutia, an object maker and storyteller based in Corpus Christi, Texas. Her studio work illustrates struggles between body and mind from a woman-centered standpoint as one experiences injustice, injury, aging, fate, and fortitude.
She writes the following about the Third Coast Biennial: “As a juror, approaching a call without a defined theme can feel daunting, akin to facing a blank canvas or a lump of clay at the start of a new studio project. However, I was delighted by the range of talent and ideas presented for this Biennial. With so many entries, the main challenge was identifying strong individual works that could coalesce into a harmonious exhibition. As I reviewed the art, certain pieces immediately caught my attention, and I began noticing patterns connecting them in various ways…”
Past Jurors include internationally renowned artists Sharon Kopriva and Trenton Doyle Hancock, San Antonio Museum of Art Curator of Contemporary Art Suzanne Weaver, and independent curator, Rigoberto Luna.
To see the exhibition online, click here
623 North Chaparral St.
Corpus Christi Tx, 78401
361-887-6834
Gallery Hours:
Wed. – Sat. 11 am – 5 pm
Sun. 12 pm – 4 pm
The Art of Hope/The Hope of Art Exhibition
July 11 – July 26, 2025
Camas Gallery at Bush Barn Art Center, Salem, OR
From the curators: “Art is the highest form of hope,” is a line first expressed by the German painter Gerhard Richter in 1982.
Difficult times come to us all at some point in our lives. Art helps us to overcome obstacles, offers us solace and can bring joy back into our lives. It can have a transformative effect on our mental health and well being. This show is about transcending the darkness and struggles we may be feeling and lightening our emotional burdens.
The Bush Barn Art Center & Annex
600 Mission St. SE, Salem, OR 97302
Botanical Muses
The artists are: April Coppini, Alexys Henry, Katherine Mead, Molly Mattson Stephan and Tamara English”
Gallery website: https://caplanartdesigns.com/artists/english/
Kaleidoscope
21535 Hawthorne Blvd, Torrance, CA 90503
Saturday, July 12 – 12-6pm
Sunday, July 13 -12-6pm
The Heart Is A Garden
Exhibition at the Clymer Museum in Ellensburg, Washington
April 4th – May 31st, 2025
Opening Reception: April 4th, 2025, 5 – 7:30 pm
Artist Talk: April 5th, 11 am
About the Exhibition:
Location:
Clymer Museum
416 N. Pearl Street
Ellensburg, WA 98926
509-962-6416
Clymer Museum Hours:
Wednesday thru Friday 11:00 – 4:00
Saturday 12:00 – 2:00
Nature Patterns
Two Person Exhibition Featuring the work of Tamara English and Kim Cridler
Location: Archer Gallery at Clark College in Vancouver, WA
January 6 – March 24, 2025
Opening Reception: Thursday, January 16, 2025, 11am- 3pm
Artist Talk: Thursday, January 30th, 10-11am
Zoom link: https://clark-edu.zoom.us/j/89227798779
Closing Reception: Saturday, March 22nd, 12 – 2pm
About the Exhibition:
Archer Gallery is excited to present Nature Patterns, by Tamara English and Kim Cridler. The work in this exhibit highlights the symbolic, spiritual, and psychological power of nature. The forms used in these oil paintings and metal sculptures speak to, and are inspired by, nature’s awe-inspiring beauty. In a time when climate change is at the forefront of public and political discourse, this exhibit presents an alternative, parallel relationship with the Environment and how we navigate internally in the midst of challenging times. Cridler’s work highlights the importance of materials, and how the ideal of beauty in nature and craft are important. English’s oil paintings reveal inner worlds as verdant spaces in which the garden becomes a metaphor for a flourishing internal world, where one may discover the buoyancy and resilience that is cultivated when one is spiritually engaged. While Tamara English and Kim Cridler live hundreds of miles apart and each have unique art practices, both artists utilize the visual vocabulary of the natural world with reverence to point to the potential for change as a central part of the human experience.
Location:
Archer Gallery, Clark College
1933 Fort Vancouver Way
Vancouver, WA 98663
info@archergallery.space
(360) 992 2246
Archer Gallery Hours: Monday- Saturday 11am-5 pm
The gallery will be closed Jan 20th and Feb 17th.
For details and event info, please visit www.archergallery.space
Exhibition at Caplan Art Designs in Portland in June
Artists have long been considered to be chroniclers making work that reflects what is happening in our world, revealing the problems of our time. Yet these days, what many people are seeking is solace and hope in the midst of a litany of challenges. Each painting is like a portal inviting contemplation; a world to enter into to find support, to find connection with the numinous.
Location:
Caplan Art Designs
1323 NW 16th Avenue #1001
NOTE: ENTRANCE to the gallery is on NW Pettygrove between 16th & 17th Avenues
Spirit Embodied: Tamara English’s Verdancy Within
Essay by art critic Richard Speer
The imagery in Tamara English’s new series, Verdancy Within, is lushly botanical: blanketflower and ninebark, jasmine and mock orange, calla lily and sage twisting, branching, reaching, subtly stylized from northern Indian and Middle Eastern tiles and textiles or wholly abstracted from the artist’s fertile imagination. The soil from which the vegetation springs appears to be visible too, and beneath it, rendered in outline as though transparent, the vines and leaves soon to sprout; but appearances alone rarely tell the full story, and English sees far more than what the eye can physically apprehend. Beyond the literal, she sees the potential energy held in store by the vegetation in the paintings’ lower quadrant, which to her represents “the imaginal, idea, or intention, rooted in the Divine Mother, rising from the Ground of Being through the causal and subtle fields.” It is a vision of heightened awareness verging into magical realism, suggesting a wondrous presence in the process of unfolding.